Why does jonathan have a nervous fit

How does Stoker create a sense of danger and revulsion in the section where Renfield begs for a kitten? Why is Mina worried about Lucy? What is the significance of Mr. Swales to the narrative?

Chapter 7 and 8 What is the effect of including a newspaper report within the narrative? How does Stoker use the story of the Demeter to create suspense? How is Gothic imagery used in the section where Mina searches for and finds Lucy? In what ways is the approaching evil described? What is the effect of these descriptions? What are the changes that Dr.

Seward notices in Renfield? How are religious ideas used in the conversation between Dr. Seward and Renfield? What is the significance of the fact that Renfield escapes to the chapel at Carfax? Chapter 9 and 10 How has Jonathan changed from the figure we met at the start of the novel? Mina decides she will not read Jonathans journal. What is the significance of this decision?

What do we learn about Van Helsing from Dr. Why does Dr. Seward think Renfield may be influenced by the sun or the moon? Why do you think Van Helsing asks Dr. Seward to keep everything about Lucy a secret? How does Stoker describe Lucys appearance on the morning of the 10th of September? Chapter 11, 12 and 13 How does Van Helsing react when Mrs.

Westerna tells him about removing the flowers? What is the significance of the newspaper article about the escaped wolf? How do you think a Victorian reader would have reacted to Dr.

Sewards description of the sights awaiting him at Lucys house on 18th of September? Seward notices that Lucy seems to be fluctuating between two states. With which other character does this associate her with? With which characters does Lucy become associated when she tries to kiss Arthur?

In what manner does Van Helsing try to persuade Seward that they must mutilate Lucys body? What is Arthurs state of mind now that he has lost his father and his fiance? Why does Jonathan have a nervous fit? What is the effect of the Bloofer Lady article?

Chapter 14, 15 and 16 In terms of the novels theme, why is the moment when Mina gives Van Helsing her transcript of Jonathans journal so important? Why is Van Helsing shaken by the newspaper article he sees? In these chapters, Jonathan and Seward start keeping a diary again. What do you think is the significance of this? How does Stoker use language to describe Lucys appearance when she returns to her tomb?

How is language used to convey the horror of the ceremony that men perform on Lucys body? Chapter 17, 18, and 19 How does Mina convince Seward to allow her to listen to the phonograph cylinders? What change seems to occur in Jonathan when he starts applying himself to the task of tracking down the Count? What do you think is the significance of the moment when Arthur cries in front of Mina? Why is the moment when the vampire hunters make a pact to work together so important, in terms of both plot and theme?

How is language used to describe Carfax Abbey? What is the effect of this description? What clues does Stoker provide to make us realize that Mina is in danger of being possessed by the Count? Chapter 20, 21, 22 and 23 What does Jonathan think the Count intends to do with all his boxes of earth? What causes Seward to begin to change his opinion of Renfield? How is language used to make Renfields death effective? How language is uses to convey the horror of the sight which greats the men when they see the Count and Mina together?

How does Jonathan react to what has happened to Mina? Why do you think the Count bleeds money and gold when Jonathan tears his clothes? Why is it appropriate that Mina should be able to communicate with the Count when she is in a state of hypnosis? Chapter 24 and 25 According to Van Helsing, why has Dracula decided to invade England? How does Stoker describe the change that is coming over Mina?

Why does Mina insist that the men take her with them to Transylvania? The notion of euthanasia and Minas request to be killed before she becomes a vampire would have been extremely shocking to Victorian readers. How does Stoker use language to make Minas request effective? Why do Mina and Van Helsing seem to draw some comfort from their deduction that the Count is a criminal type?

Chapter 26 and 27 and note Why do the characters decide to split up at this final stage of their chase? How does Mina view the countryside around her during her journey with Van Helsing? How is language used in the incident when the vampire women try to tempt Van Helsing out of the protective circle? Seward's diary records how, on the 17th of September, he was attacked by Renfield in his office. Renfield grabbed a knife, cut Seward's wrist rather severely, and a puddle of blood formed on the floor; Renfield then began "licking it up like a dog," murmuring over and over to himself, "The blood is life.

Van Helsing telegraphs Seward, telling him to meet him at Lucy's house that night. The telegram, however, doesn't arrive until almost morning, and Seward leaves immediately for Lucy's — on the 18th of September. On the 17th of September, at nighttime, Lucy records everything she can remember in a memorandum: she was awakened by a flapping at the window and was frightened because no one was in the house; she tried to stay awake and heard something like the howl of a dog, but it was more fierce and frightening.

She looked out the window, but could see only a big bat flapping its wings. Disturbed by the noise, her mother came into the room and got into bed with her. The flapping continued, and Lucy tried to calm her mother. Suddenly there was a low howl, broken glass was flying into the room, and in the window was seen "the head of a great, gaunt, grey wolf.

When the wolf drew its head back, there seemed to be a "whole myriad of little specks. Upon regaining consciousness a short time later, the four household maids came in and were so frightened at the sight of Mrs.

Westenra's body that Lucy instructed them to go into the dining room to fetch a glass of wine. Later, when Lucy checked on them, she found them all unconscious, and upon examining the decanter, she discovered that it reeked of laudanum an opium and alcohol mixture used as a painkiller. Lucy realizes that she is alone in the house, and she wonders where she can hide her memorandum so that someone can find it next day. In his diary September 18th , Dr. Seward records that he arrives at Lucy's house but isn't admitted inside.

A moment later, Van Helsing arrives, and he learns that Seward did not get the telegram instructing him to stay the night. They go to the rear of the house, break in and discover the four servant women's bodies.

Running to Lucy's room, they see a horror indescribable to them. Lucy's mother is dead, partly covered with a white sheet. Lucy herself is unconscious, her throat bare, the two white wounds horribly mangled, and Lucy lifeless as a corpse. Before a transfusion can be considered, however, they must warm Lucy. They revive the maids and order them to heat water, towels, and sheets. As they are wondering how to proceed next, since neither of them can give blood at the moment, and the maids are too superstitious to be relied upon, Quincey Morris arrives.

He reminds them that he also loved Lucy, and he will give his blood to save her. While the transfusion is taking place, Van Helsing hands Seward a piece of paper that dropped from Lucy's nightgown as they carried her to the bath. Seward reads it and is vexed by its contents. He asks Van Helsing about it. The grim reality confronting them immediately, however, is to get a certificate of death filled out for Mrs. Later, Quincey questions Dr. Seward about Lucy's illness; he wonders where all of the blood which she received from Arthur, Seward, and Van Helsing has gone.

He is reminded of a time "on the Pampas. When Lucy awakens late in the afternoon, she feels her breast for the note which Dr. Van Helsing returned ; she finds it and tears it to pieces. That night, Lucy sleeps peacefully, but her mouth "show[s] pale gums drawn back from the teeth," which look sharper and longer than usual.

That night September 19th Arthur Holmwood arrives to stay with Lucy. Seward's entry for September 20th notes that he is despondent and depressed. Arthur's father's death, along with the death of Mrs. Westenra, has disheartened him, and, it seems, Lucy's condition is worsening.

Arthur, Dr. Seward, and Van Helsing take turns looking over her. Van Helsing has placed garlic all around the room, as well as around Lucy's neck, and he has covered the wounds on her neck with a silk handkerchief. Lucy's canine teeth appear longer and sharper than the rest. Around midnight, Seward hears a noise outside Lucy's window, and he sees a great bat flying around.

When he checks on Lucy, he discovers that she has removed the garlic from around her neck. Seward also notices that she seems to be fluctuating between two states — when she is conscious, she clutches the flowers close to her neck, but when she is unconscious, she pushes the garlic from her, as though it were abhorrent.

At 6 o'clock on the morning of the 20th, when Van Helsing examines Lucy, he is shocked and calls for light. The wounds on Lucy's throat have disappeared. He announces that she will soon be dead. Arthur is awakened so that he can be with her at the end, and when he comes to her, she revives. As Arthur stoops to kiss her, Van Helsing notes that Lucy's teeth seem as though they are about to fasten onto Arthur's throat.

He stops Arthur and tells him to simply hold Lucy's hand, for it will comfort her more. Seward again notices that Lucy's teeth look longer and sharper than before, and suddenly Lucy opens her eyes and says to Arthur "in a soft voluptuous voice" that Seward has never heard before "Arthur, Oh my love, I am so glad you have come!

Kiss me. Suddenly, Lucy is dead! And in death, Lucy seems to regain some of the beauty that she had in life. Seward remarks, "It is the end! It is only the beginning. We can do nothing as yet. Wait and see. Chapter 13 begins with a continuation of Dr. Seward's diary, where we read that arrangements are made for Lucy and her mother to be buried at the same time. Meanwhile, Arthur must return to bury his father.

Van Helsing, who is also a lawyer, looks through Lucy's papers and retrieves all those documents which he feels might give him a clue about her death.